All of the men who desired Bianca needed somebody to marry Kate, as it was customary for the older daughter to be married before the young one. Even in the first speech of the play, which seems at first glance to be a clumsy attempt at exposition, desire and sexuality seethe below the surface. She is hot tempered and can slap people around her when they make her mad. Baptista is enthusiastic about Petruccio's suit, since Katherine is a burden to him. Each one is to command his wife to come to him. It appeared, though, as if Petruchio was the kind of man who needed an opposition in life. Here we meet Christopher Sly, a tinker by trade and a drunk by avocation.
Later he proclaims they will return to Padua dressed in the finest array but then rejects the goods of the haberdasher and tailor who were to dress them for their journey. When the couple returns to Padua for Bianca's wedding, Katharina is starving and sleep-deprived, but decidedly meek. This theory is particularly appealing because the entire play is very much interested in the theatricality of everyday life and the performative aspects of gender roles. Lucentio welcomes everyone to the banquet, calls Petruchio and Katherine his brother and sister, and says that all the earlier chaos and confusion is now happily resolved. The whole plot of the play drives toward these goals. Her quarrelsome behavior is not entirely due to her lack of being loved, but also her self-absorption. The problem is that it's not entirely clear what we're supposed to make of Kate's complete turnaround.
She is loud, harsh and violent. As the action opens, he is being thrown out of an alehouse. New York: Chelsea House Publishers, 1986. I think if a man is truly loving his wife as Jesus loved the church, then her best interest would always be in the forefront of his mind; therefore, he would not just expect her to serve him solely, but take care of herself as well. In one sense, she is hungry and will say anything to be allowed to eat the meat, regardless of its state.
It takes a strong and beautiful woman to be able to submit to her rightful head, because she has to learn to serve, to obey, and to look to another's needs more than her own. This exchange of roles, which landed Kate on the receiving end of all of those hideous tantrums, took her out of herself. Not only is Katherina relatable, she also provides responders with insights into their context and themselves. In fact, neither of them were really accepted until they did that. The widow protests, but Petruchio insists on it.
Junger has soften this theme of favouritism later in the film when he becomes protective over the girls and at the end of the film showing his approval by allowing. Although assigned with certain qualities at the beginning of the play, the two sisters eventually switch roles, and Bianca is stripped from of her disguise of obedience, and overshadowed by her sister Kate. The speech is long, and does not end until she has decided to finish speaking. Depending on the choices a particular production of the play makes, Katherine's speech can be seen as ironically over the top or startlingly sincere. They also find that Tranio, still dressed as Lucentio, has succeeded in convincing Baptista to let Lucentio marry Bianca. Grumio interjects that, no matter how sharp-tongued Katharina may be, she could not match the rhetorical weaponry Petruchio has at his disposal. He hatches a plan to bypass Baptista's kibosh on wooing Bianca by dressing up as a schoolteacher and offering his services.
He purposely embarrasses Kate in order to train her to love him - an odd approach to be sure! He acts as Cambio throughout most of the play, and reveals himself to his beloved. She has figured out that Petruchio has a method to his madness and if she plays her cards right, their relationship can be a partnership with a series of actions and rewards. On the other hand, her younger sister Bianca was beautiful and much more agreeable. The earliest record of it being performed on stage is in 1593 or 1594. Isn't it very possible that Kate is actually in control of all her… 1236 Words 5 Pages Character Analysis The main character in the play Taming of the Shrew is Katherine, who undergoes a major transformation throughout the play as she begins stubborn and ill tempered and ends a subservient wife. Is the chicken then considered a duck because its actions all point towards that of the distinctive aquatic bird? She does not need to say anything when Petruchio makes the ridiculous claim that the man is really a woman.
Bianca epitomizes these qualities and shapes her behavior around them. For instance, the first lines we hear her speak are to her father, imploring him not to wed her to a fool 57-58. He has heard, though, that Baptista will not allow Bianca to be married before her older sister, Katherina, a very forceful character who has a scornful attitude to men and expresses that without restraint. Hortensio tells him of the ill-tempered Katherine's availability, and despite warnings of her character, Petruchio insists on courting her. Bianca is the obedient well-mannered sister, while Kate is the disobedient shrew.
Gremio welcomes him as Bianca's tutor because he thinks Lucentio will put in a good word for him with Bianca. The real Vincentio arrives, and the game is up. Eventually, worn down by her husband's behaviour, Katherina submits and agrees to all Petruccio's whims. The last part of her description shows the sincerity in what she is saying. The devices used has shown the audience how the shrew could be changed by receiving the same treatment it has been giving. Petruchio showed up to the wedding late and in strange attire, but nevertheless they were married that Saturday. In fact, Hortensio, Gremio and Tranio pretending to be Lucentio approach Baptista with offers for marriage.
Kate's speech does not reflect a tamed shrew, but rather a richer, more developed woman than the one seen at the story's beginning. On the journey, the couple meet Vincentio, Lucentio's wealthy father. Whether she means it or not, her speech outlines the essential qualities of a good wife according to traditional, oppressive gender roles. On one level, the mere act of one sister roping the other and handling her roughly for a perceived injustice is comic, but when we stop and consider from Kate's perspective we can have a bit more empathy. The two marry, and Petruchio acts badly during the ceremony, knocking over the priest and throwing wine in someone's face. Two main examples of her submitting to Petruchio in order to achieve her desires are in Act 4, scene 5, the sun versus moon scene as well as Act 5… 908 Words 4 Pages Taming of the Shrew by William Shakespeare, the indication of a woman being the possession of her husband, and having to do everything that he proposes her to do is presented.